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Flash

        

Flash 

Many people wonder if a flash is really necessary. Well, this is what my good friend Roger Lewis has to say........

I've been asked should I use my camera flash when taking photos outside and under the following conditions the answer is YES.

If you're shooting a portrait or close up where the subject fills the frame completely and your shooting in bright sunlight where the person is partly back-lit, the answer is most definitely yes!

It will bring the image to life by making it stand out against the background, it will also light up the face helping to remove unwanted shadows and adding a sparkle to the eyes.

You see, when you are shooting pictures of people where the majority of the light is from behind or where the sun is reflected off water, without your flash turned on their face will be too dark .

The same applies when the sun is casting a shadow across the face but with the use of your flash, you can eliminate dark shadows from the eyes and nose and create a better result which will please the most discerning critic. In affect this also helps to soften the face and in some cases helping to hide wrinkles, but remember you cant please everyone.

Which reminds me of the story of the wrinkled old Woman that had her picture taken by the local portrait photographer and even after the photographer spent hours retouching her picture he still couldn't remove all her wrinkles. When she saw the picture she complained saying to the photographer, "This picture doesn't do me justice," he said "Madam you don't need justice you need mercy."

Why then, does you camera take a dark picture when the subject is back-lit, you see the camera will be fooled by the bright back-lit surroundings and set the exposure to cope with the bright conditions only allowing the face to appear dark, but with your flash turned on you end up with the perfect picture every time, so much so that your friends will ask how you did it. Also remember to use flash when bright sunlight is casting shadows over the subjects face, even if the conditions are not back-lit, it will also add a sparkle to the eyes.

By using your flash or turning flash on, you will fill-in the shadow areas making your picture much more pleasing.

Photographers please note, the best time of the day to shoot people is about two hours before sunset or two hours after sunrise, when the shadows are long and the light is soft and warm in color, especially by the ocean. It's no wonder that professional fashion photographers shoot around this time of day.

Consider the days when I started out studying to be a young photographer at the age 13/14, the camera was a medium format size roll film camera, image size 6x6cm. and the film size was 120 black and white negative.

There was NO built-in camera flash, in fact there was no electronic flash, period. I use to own a flash gun that used flash bulbs, which I attached to the camera with the flash sync cable plugged into the camera bulb flash socket. The flash bulb was like a light bulb in size which you screwed into the flash guns bulb holder directly in front of the large flash reflector. The bulb was filled with magnesium wire and when you fired the shutter the batteries in the flash gun would ignite the magnesium in the flash bulb and create a flash. The flash bulb was covered with a protective layer of plastic to prevent it from exploding and I seem to remember that most times it was successful in doing so, but on the odd occasion it would explode... quite an alarming experience. It was a good idea not to work too close to the subject!

Back in the early fifties, it was quite an undertaking to shoot any event. But I was busy studying photography at school and in my spare time and was learning the basics.

Soon the early electronic flash guns started to arrive on the market and I remember that they had huge power-packs that you carried on your shoulder via a shoulder strap. Also flash guns were starting to get popular with novice photographers, with smaller size flash bulbs and then later the smaller electronic flash guns.

What does this mean to you, very little I expect but it may be of some interest to those of who might be of the same age as I was then, to know how far we have advanced. Just think for a moment and supposing you are 14 years of age now, how far things would have advanced when you get to be my age...

But you know, the same conditions apply when shooting an image if your in a 'professional mode', I mean careful composition of you picture, correct exposure and lighting and although with the advance of digital cameras the technology has changed, the above mentioned facts apply and are still as relevant to day as they ever were, plus the added advantage of your computer and the ability of digital manipulation.

To learn more about your Flash Photography go here: Flash Photography Pro Secrets

I'm from London. I started out in the days of the Swinging Sixties and London was quite a place to be. In those days we use to shoot catalog fashion shots with a 10X8 inch View camera, so the transparency images would be the same size as the image on the catalog page, I have to tell you right now that took quite some doing. Now I spent most of my time with my website: Pro SECRETS of Money Making PHOTOGRAPHY, writing about and teaching photography, occasionally shooting assignments.

To learn more about the author go here: PhotoRog Secrets blog


 

With careful use of flash, you can make your photo looks natural as though no flash had been used, instate it will enhance the photo further reducing contrast and yet looking very natural.

It as been a dream of all photographers to look for the balance in lighting whenever they photograph a subject and most of the time the quality of available light isn't always perfect. I will share my experience in making use of flash wisely I am able to enhance my photo rather than by just using the available ambient light.

Before we get started let me clarify a few things with regards to my flash photography techniques that I will be sharing with you.

• Let me define the term flash in this article - it is what some people call "Speedlight" which is the add on flash mounted on the camera hot - shoe type and not either the studio strobe type of flash or the pop-up flash build in the camera..

• The flash photography techniques I'm writing in this article are mostly applicable for "on the field" or "on the move" photography and not studio photography.

• I'm a user of Nikon D-SLR and Speedlight, some example of my photography work shown here are not a standard recipe as each camera system may have a slide different reading hence require some slide adjustment.

Ambient Light plus Flash Photography

I use flash most of the time but using flash does not mean you will spoil the ambient light thus making the photo looking unnatural. Why just use available light alone if your photograph turns out to be horrible. I will show you by understanding some essential techniques, mixing ambient light with flash you can make a better image.

By using the flash I will be able to highlight the shadow areas and avoid shadows under the subject's eyebrows thus making it a better photo than it would have been without flash. But this does not mean that the image will turn up flat. Make sure you get your reading right.

Let's try two examples:

1. Say you are taking a wedding couple in a shaded park under a shade with a sunlit background:-

• Shoot in manual mode because you need to be in control of your exposure metering for accuracy and consistency.

• Meter for the ambient light, get your exposure right, turn off your flash and take a test shot. With the correct exposure you will get a perfect natural surroundings but the wedding couple will be little under exposed or with some shadows around their faces.
• Now turn on your flash and adjust your flash to TTL-BL mode which balance flash automatically with ambient light (as I'm using Nikon). Adjust your flash compensation. Start from 0 EV compensation and slowly go up until plus 1.7 EV. How much is enough? There is no one correct answer to that as it depends how much flash you need to use as a fill in flash. In this example you surely need a stronger fill-flash to match the sunlit background.

2. Say you are taking the bride out door

• Again always shoot on manual mode.

• Meter correctly for the available light.

• Adjust your flash to TTL-BL mode. As for out door, I usually start from -1.3 EV because Nikon Speedlights on TTL-BL mode balance flash automatically with ambient light and I will always shoot with flash firing straight on. The real idea is to use the flash as a fill-light only and to lift the shadows.

The above two examples clearly tells you by just adding flash with the correct exposure set by reading the ambient light together with the right amount of flash value to be fired you will have a perfect and balance natural looking image. Who says by using flash it will look unnatural and spoil the ambient light?

I will be following up with an article entitle Flash Photography Techniques - Bouncing the Flash next to share my photography experienced with you. By bouncing the flash you are able to soften the light and reduce or eliminating flash shadow.

For more photography article and tips visit my blog at:  http://www.affendy.com/blog

Affendy Ahmad  http:http://www.affendy.com   Photographer for All Occasions

 

 

 

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